I supplement the various formal gestures and color surfaces with layers of material, collages, set initial compositional focal points, combine with further lines or glazing color accents, in my case with diluted paint or ink.
This almost ritualistic working into my images usually lays the foundation for the next steps with the emerging background. Everything is now possible, I am completely free to live out in my image. The simultaneous conscious work and the allowance of coincidences when working with different painting materials lead to a flowing process of rapid decision-making, destruction, reduction and renewed construction. And it is precisely this process that is the prerequisite for each individual work to grow, with all its archaic structures, with its subtleties – and this is what my paintings show with impressive detail.